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Sabtu, 24 Maret 2012

OMG! An Excerpt from The Winds of Winter!


Oh my! Regular readers of this log will know that I am a big fan of George R.R. Martin's A Song of Ice and Fire series, the inspiration for HBO's Game of Thrones miniseries (which starts airing its second season on April 1st!).

Anyway, Martin has published an excerpt (for free!) of one of the chapters from the sixth book in the series, which is titled The Winds of Winter. The format of Martin's books is that each chapter has a character name as the title and generally tells the story from the perspective of the named character. There are now dozens of named characters and Martin has been ruthless (and notorious) for having horrendous, brutal and sometimes fatal events befall his characters, causing readers to constantly be on edge when reading, because you never know when a favorite or beloved character may be dispatched.

Anyway, the title of the free exerpted chapter is Theon, who is Theon Greyjoy, one of the most despicable and  defiled characters in the series. He is widely hated because everyone believes he is responsible for the deaths of the two youngest Stark children. The Stark family are the ostensible heroes of the series, with the Lannister family being the villains, but this is far too simplistic a characterization of the nuanced nature of the two families. (For example, Peter Dinklage has won an Emmy playing Tyrion Lannister, who is one of the most popular characters in the series, even though he is presumably "on the wrong side.")

Here is a little taste of the chapter:
   The king's voice was choked with anger.  "You are a worse pirate than Salladhor Saan."      
Theon Greyjoy opened his eyes.  His shoulders were on fire and he could not move his hands.  For half a heartbeat he feared he was back in his old cell under the Dreadfort, that the jumble of memories inside his head was no more than the residue of some fever dream. I was asleep, he realized.  That, or passed out from the pain.  When he tried to move, he swung from side to side, his back scraping against stone.  He was hanging from a wall inside a tower, his wrists chained to a pair of rusted iron rings.  
      The air reeked of burning peat.  The floor was hard-packed dirt.  Wooden steps spiraled up inside the walls to the roof.  He saw no windows.  The tower was dank, dark, and comfortless, its only furnishings a high-backed chair and a scarred table resting on three trestles.  No privy was in evidence, though Theon saw a champerpot in one shadowed alcove.  The only light came from the candles on the table.  His feet dangled six feet off the floor.     
"My brother's debts," the king was muttering.  "Joffrey's too, though that baseborn abomination was no kin to me."  Theon twisted in his chains.  He knew that voice. Stannis.        
Theon Greyjoy chortled.  A stab of pain went up his arms, from his shoulders to his wrists.  All he had done, all he had suffered, Moat Cailin and Barrowton and Winterfell, Abel and his washerwomen, Crowfood and his Umbers, the trek through the snows, all of it had only served to exchange one tormentor for another. 
You really deserve it to yourself to read the entire thing. Sadly, it may take another 4 or 5 years before the entire finished version of the book is released. The 4th book (A Feast for Crows) was released in 2005, while the 5th book (A Dance with Dragons) was released in July 2011.

Rabu, 29 Februari 2012

Game Of Thrones Season 2 Teaser Trailer



This is the second trailer for Season 2 of HBO's Game of Thrones television series, which is based on the second book, A Clash of Kings, in George R.R. Martin's epic fantasy series A Song Of Ice and Fire.
Bizarrely, the first trailer from December last year only has 1.6 million views on YouTube while this second one (which was only released a few weeks ago) already has well over 5 million views.

The second book is even better than the first, so I expect this season should blow us away!

Rabu, 08 Februari 2012

BOOK REVIEW: Mistborn series by Brandon Sanderson



I had previously heard about Brandon Sanderson as one of the new big names in fantasy fiction. He is most well-known for taking over the Wheel of Time series from Robert Jordan after the author's untimely death after publishing the 12th novel in that epic 14-volume gigantic series. I really don't have an interest in getting hooked on a story which is something like 11,000 pages long and 4 million words. I'm already screwed because I'm hooked on A Song of Ice and Fire by George R.R. Martin which is now 5 books long and even though it is supposed to end at Book 7 most observers are skeptical of that happening, and of Martin being alive long enough to complete his masterwork. Speculative fiction lovers are burned from our experience with Frank Herbert, who published Chapterhouse: Dune the 6th book in his brilliant Dune series and then died in 1986, leaving his literature legacy in the hands of his son Brian Herbert and Kevin Anderson who have abused the privilege by churning out mounds of simplistic unreadable crap set in the complex, compelling universe created by Herbert.

Anyway, most reviews of Sanderson's work point towards the Mistborn series as a good place to start, since it contains a fairly sophisticated system of magic as well as the presence of non-human semi-intelligent species set on a planet with a medieval level of civilization. That puts it pretty firmly in the sweet spot between fantasy and science fiction, which I found interesting.

The most unusual aspect of Sanderson's Mistborn series is that the primary character (i.e. hero) is female. Her name is Vin. Needless to say, this is very unusual in the male-dominated world of swords-and-sorcery books. Vin is a fascinating character, she becomes very powerful but Sanderson keeps her very femininity very much in focus, with detailed descriptions of the dresses and makeup she wears and gives the reader an insider's view at her internal monologue as she navigates her way through the world, loving and learning.

Another fascinating feature of the Mistborn series is the role of religion and the question of destiny. I hadn't thought about it before writing this review, but it is clear that Sanderson must have been influenced heavily by Herbert's Dune series. There are similar contours to the books: most chapters start with an epigram (in Dune they were interesting philosophical ruminations from important characters which added color to the world building, in Mistborn the epigrams are excerpts from an important historical text and constitute a parallel story in themselves), there is a tyrant who has ruled for thousands of years (Leto II in Dune and The Lord Ruler in Mistborn) and there is a race of oppressed peoples who eventually become dominant in society (the fremen in Dune and the skaa in Mistborn).

The themes of religion and destiny are common to both works as well. In Mistborn, there is a prominent character (who would probably get third billing in a movie adaptation of the series) named Sazed who all he does is muse about religion. He "collects" them, sort of like a librarian. He is known as a Keeper. He has access to another version of the magic system, called feruchemy, which is different from the one that Vin uses. That magic system is called allomancy, and is the primary source of power in the world.

Allomancy is based on the ingestion of metals, and they give the rare breeds who possess "allomantic" abilities powers that are reminiscent of some of our favorite superheroes: superstrength (iron), enhanced vision and hearing (tin), influence emotions of nearby people (zinc and brass) and physically attract repel/attract nearby metals (steel). There are many other metals and the system is nicely designed with a pleasant symmetry (some metals counteract the effects of other metals). Throughout the Mistborn series the number of metals grows and even by the end of the 3rd book it is clear there are metals in the system that are yet to be discovered.

The specific plot of the books I don't want to reveal but the writing and plotting are very strong and there are mysteries and puzzles that are only revealed on the way with a huge surprise (who is the Hero of the Ages?) only discovered in the last few pages of the last book.

Here is the blurb from Amazon.com:
Brandon Sanderson, fantasy's newest master tale spinner, author of the acclaimed debut Elantris, dares to turn a genre on its head by asking a simple question: What if the hero of prophecy fails? What kind of world results when the Dark Lord is in charge? The answer will be found in the Mistborn Trilogy, a saga of surprises and magical martial-arts action that begins in Mistborn. 
For a thousand years the ash fell and no flowers bloomed. For a thousand years the Skaa slaved in misery and lived in fear. For a thousand years the Lord Ruler, the "Sliver of Infinity," reigned with absolute power and ultimate terror, divinely invincible. Then, when hope was so long lost that not even its memory remained, a terribly scarred, heart-broken half-Skaa rediscovered it in the depths of the Lord Ruler's most hellish prison. Kelsier "snapped" and found in himself the powers of a Mistborn. A brilliant thief and natural leader, he turned his talents to the ultimate caper, with the Lord Ruler himself as the mark.  
Kelsier recruited the underworld's elite, the smartest and most trustworthy allomancers, each of whom shares one of his many powers, and all of whom relish a high-stakes challenge. Only then does he reveal his ultimate dream, not just the greatest heist in history, but the downfall of the divine despot.But even with the best criminal crew ever assembled, Kel's plan looks more like the ultimate long shot, until luck brings a ragged girl named Vin into his life. Like him, she's a half-Skaa orphan, but she's lived a much harsher life. Vin has learned to expect betrayal from everyone she meets, and gotten it. She will have to learn to trust, if Kel is to help her master powers of which she never dreamed.
Another big influence for Sanderson must be Scott Lynch, the creator of the Locke Lamora books, because the "heist/caper" aspect of the books are also lots of fun. There are also lots of thrilling descriptions of hand-to-hand combat as well as conflicts between armies that have all the panache (but not the bloody gore) of Joe Abercrombie.

Sanderson's Mistborn series is the real deal; any lover of the greats of fantasy (Martin, Jordan, Lynch, Abercrombie, Peter Brett) and well-written, political science fiction (Herbert) will enjoy these books.

Author: Brandon Sanderson
Length: 672 pages.
Publisher: TOR Fantasy .
Published: July 31, 2007.

OVERALL GRADE: A/A- (3.91/4.0).

PLOT: A.
IMAGERY: A-.
IMPACT: A. 
WRITING: A.

Author: Brandon Sanderson
Length: 816 pages.
Publisher: TOR Fantasy.
Published: June 3, 2008.

OVERALL GRADE: A/A- (3.83/4.0).

PLOT: A.
IMAGERY: A-.
IMPACT: A-. 
WRITING: A.

Author: Brandon Sanderson
Length: 784 pages.
Publisher: TOR Fantasy.
Published: April 28, 2009.

OVERALL GRADE: A (4.0/4.0).

PLOT: A.
IMAGERY: A.
IMPACT: A. 
WRITING: A.

Jumat, 30 Desember 2011

BOOK REVIEW: George R.R. Martin's A Dance with Dragons


After a long wait of nearly six years since the publication of A Feast for Crows, the fifth book in George R.R. Martin's award-winning, best-selling A Song of Ice and Fire series, A Dance with Dragons was released in July 2011.

The entire A Song of Ice and Fire series has had a higher profile lately, especially since HBO started airing a mini-series called Game of Thrones based on the first book, A Game of Thrones. Their intention is to shoot each season of the series roughly based on each book in the series. Peter Dinklage won a very important Emmy award (Best Supporting Actor in a Drama Series) for his portrayal of Tyrion Lannister, one of the fan's favorite characters.

A Dance with Dragons was reviewed by all the major papers of record (Los Angeles Times, New York Times, Time) as well as the usual suspects of media outlets online, generally positively. Among fans, however, the reviews are somewhat mixed, with the feeling that the latest book is closer to A Feast for Crows than A Storm of Swords. To me, that's to be expected because the timeline of events that occurred in A Feast for Crows occupy about half of the book in A Dance with Dragons, happily told from the perspective of the fan's favorite characters. The problem with this is that not much progress was made on the huge, series-spanning plots like: Daenerys' march to Westeros from Essos, John Snow's attempts to maintain the Wall against the invasion of Creatures of the Frozen North, Bran Stark's destiny to actualize his magical talents and whether the Iron Throne will be controlled by someone who actually deserves the power and cherishes the people they rule, just to name a few. (By some counts, there were around  11 central plots covered in just this book).

On extended reflection, I think my overall evaluation of the book is closer to the official reviewer' than the fans'. I've only read A Dance with Dragons once, but I would still rank it as the second best book of the series, behind the impressive A Storm of Swords which is still the best of the bunch with A Dance with Dragons close behind, followed by A Clash of Kings and A Game of Thrones (the less said about A Feast for Crows, the better).

I had the good fortune of only starting to read the series in 2011, so I have not had to experience the half-decade long wait for the next installment in the series. Sadly, now that I have caught up with Martin's production schedule, I will have to comfort myself during the long wait for Book 6 (widely reported to be titled The Winds of Winter) by re-reading the first five books and watching the excellent HBO television adaptations of the earlier books (apparently each season of the series will be an adaptation of the corresponding book). Hopefully the next book will be out before the television series catches up with Martin!

Title: A Dance with Dragons.
Author: 
George R.R. Martin.
Paperback: 1040 pages.
Publisher:
 Bantam.
Published: July 12, 2011.

OVERALL GRADE: A- (3.917/4.0).


PLOT: A-.
IMAGERY: A-.
IMPACT: A+.
WRITING: A.

Rabu, 02 November 2011

BOOK REVIEW: George R.R. Martin's A Feast for Crows


I have previously read and reviewed the first three books of the now-classic fantasy series, A Song of Ice and Fire, by George R.R. Martin, for this blog: A Game of Thrones, A Clash of Kings, and A Storm of Swords.

A Feast for Crows is considered by some the red-headed step child of the series so far because even though it is the most critically recognized entry in the series (nominated for the Hugo, Locus and British Fantasy Society awards although notably it failed to win any of these) it is also the book in the series which is rated the lowest by actual readers. There's a definite reason for this. A Feast for Crows was first published nearly 5 years after the publication of 2000's A Storm of Swords and the expectations of Martin's burgeoning fan base were extremely high. A Feast for Crows became the first book in the series to debut as #1 on the New York Times bestseller list and be an international publishing phenomenon. This is somewhat surprising, because several of the most popular characters from the series do not make an appearance in A Feast for Crows. Martin structures his novels as series of chapters with intersecting and overlayed points-of-views from specific characters on the same series of events. Because A Feast for Crows grew so gigantic during the five years Martin spent writing it, at some point he decided to concentrate on some of the less popular (some would say more villainous) characters in A Feast for Crows and push the perspectives of the more popular characters (Arya Stark, Tyrion Lannister, Jon Snow and Daenerys Targaryen to name a few) into the still-to-be-written A Dance with Dragons (which despite this headstart still took an agonizing 6 years to be published).

You'd think that the 4th entry in a series which has been decreed to be no longer than 7 books long would be concentrating on reducing the scope of the story not expanding it. If you thought that you'd be wrong, because Martin introduces several new characters who of course come with their own plots and allegiances which somehow link up to the previously revealed plots and allegiances like a slowly growing intricate spider-web or moss spreading inch by inch over a stone tomb.

The theme of the book is about power, and of course we all know absolute power corrupts absolutely. The anti-heroine of the series, Cersei Lannister Barratheon is know fully ascendant at the seat of power in King's Landing, although due to the inherent sexism (some would say misogyny) of the culture she is not officially crowned and of course does not sit on The Iron Throne, as her husband and sons have. Cersei is the kind of character readers love to hate and Martin puts her in her place somewhat, saving the coup de grace for the next book, we hope.

The plots are too numerous to summarize here, but suffice it to say that the conflict which has animated the first three books, the War of the Five Kings is quickly hurtling to a conclusion and this book is about what people do after the war is over, and how the "winners" and "losers" are both affected in its aftermath.

The one good thing about Martin pushing all the story lines of the favorite characters into A Dance with Dragons is that it makes that book an even more desirable read, and one that I will try to review shortly.
Despite the slight lull that A Feast for Crows represents in the A Song of Ice and Fire series, it still points out how salient the stories and characters that Martin has created that even the secondary characters make for a compelling read, and promise that the next book should be even more so.

Author: George R.R. Martin
Length: 784 pages.
Publisher: Bantam.
Date: October 30, 2007.

OVERALL GRADE: B/B-.

PLOT: B-.
IMAGERY: B.
IMPACT: B+. 
WRITING: B-.

Rabu, 26 Oktober 2011

BOOK REVIEW: The Hunger Games Trilogy


The Hunger Games trilogy is the highest profile series of young-adult novels after J.K. Rowling's Harry Potter series. I read the entire series (see my reviews of the last two books: Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows) and saw all the movies (see my reviews for Harry Potter and the Deathly Hallows, Part 1 and Part 2 and Harry Potter and the Half-Blood Prince and Harry Potter and the Order of the Phoenix).

It's really not fair to compare the two series. For one thing, Harry Potter consists of seven books which are on average well over 500 pages each and take the main characters from a pre-teen innocence through teen-age angst and into full adulthood.

Here is how the author, Suzanne Collins, describes the Hunger Games:
Katniss is a 16-year-old girl living with her mother and younger sister in the poorest district of Panem, the remains of what used be the United States. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, “The Hunger Games.” The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed. When her sister is chosen by lottery, Katniss steps up to go in her place. 
By definition, The Hunger Games is a much more violent series of books than the Harry Potter books. There are deaths in both, but in The Hunger Games it becomes almost routine. Also, the fact that Katniss is 16 years old when the books begin makes the possibility of sex (or at the very least romance) a very real possibility.

The story revolves around the characters, starting with Katniss Everdeen and her little sister Primrose. Katniss has been feeding her family since her medicine woman mother was greatly affected by the death of her husband and Katniss' father. The relationships which animate the main plots in The Hunger Games is the (love?) triangle between Katniss and Peeta Mellark and Gale Hawthorne. Although love triangles have been done to death in all sorts of fiction, Collins comes up with some novel ways of handling the tension, especially since life and death situations become involved.

A Wikipedia article says that the themes of The Hunger Games are "government control, 'big brother,' and personal independence." I'm not sure that I would agree, I would say that a more precise description of  the main themes are "deception, independence and authoritarianism." Basically, authoritarianism includes both the "Big Brother" aspects of the Capitol and the governmental control that it encompasses throughout the 12 impoverished districts of Panem.

The plot of the first book is based around Katniss and Peeta's experience in the Hunger Games, where the rules are kill or be killed. Obviously, at least one of them survives because there are two more books. What happens is that the scope of the books expands, although they still center around the actions of Katniss, the true goal of Collins is to demonstrate not just the change to Katniss, but also to her hometown and her whole country.

Overall, all three books are well-written and Collins skillfully maintains suspense even while the reader is pretty sure any of the characters we care about will not be killed, the body count is high, and not everyone we care about survives to the end of the third book.

Title: The Hunger Games.
Author: 
Suzanne Collins.
Paperback: 384 pages.
Publisher:
 Scholastic Press.
Date: September 14, 2008.

OVERALL GRADE: A- (3.67/4.0).


PLOT: A.
IMAGERY: B+.
IMPACT: A-.
WRITING: A-.


Title: Catching Fire.
Author: Suzanne Collins.

Paperback: 391 pages.
Publisher: Scholastic Press.

Date: September 1, 2009.


OVERALL GRADE: A- (3.67/4.0).


PLOT: A-.
IMAGERY: A-.
IMPACT: B+.
WRITING: A.



Title: Mockingjay.
Author: 
Suzanne Collins.

Paperback: 400 pages.
Publisher:
 Scholastic Press.

Date: August 24, 2010.


OVERALL GRADE: A- (3.67/4.0).


PLOT: A-.
IMAGERY: B+.
IMPACT: A-.
WRITING: A.

Rabu, 12 Oktober 2011

BOOK REVIEW: Leviathan Wakes


One of the best new hard science fiction reads of the year is Leviathan Wakes from James S.A. Corey. Corey is actually a pseudonym for Daniel Abraham and Ty Franck. Surprisingly, both of these guys are known for their fantasy bona fides. Abraham is the author of The Dragon's Path, the first book in the Dagger and the Coin trilogy while Franck is George R.R. Martin's assistant. Martin, is, of course, the author of the wildly popular A Song of Ice and Fire series, whose first book the Emmy award-winning HBO mini-series Game of Thrones is based on.

It's interesting that with all this swords and sorcery experience that these two guys have written an absolute kick-ass hard science fiction classic. The universe of Leviathan Wakes takes place in a near future where humanity has established colonies on some of the solar system's planets and large asteroids. To be more precise, Mars, the Moon, and Ceres all have substantial human populations, with distinct and disagreeing cultures. The two big fish are Mars and the Earth, with the Moon and all the inhabitants of the Asteroid Belt (known as "Belters"). There are no aliens, but there are generations of humans that have only lived in non-Earth gravity and have been physically modified as a result.

The story that is set in this universe is a doozy. It is centered around two main characters: Jim Holden and Detective Miller. Holden is the "good guy," an idealist who runs into some Lovecraftian surprises in deep space of galactic significance. Miller is the hard-bitten detective who doesn't even have a first name who doggedly follows his hunch about a case no-one else cares about while history-altering events are happening around him.

The book is an interesting melange of multiple genres; it is definitely hard science fiction (there are space battles with sub-light space travel in the very first chapter) but veers sharply into horror (there are things called "vomit zombies") with a sprinkle of noir (Miller's character is clearly supposed to be some kind of 23rd century Sam Spade).

I don't want to say too much about the details except to say that the story hurtles along at breakneck pace, and although many issues are resolved, one can clearly see how this works as the first book of a planned trilogy. I can't wait until the next book in "The Expanse" series is released; if you read Leviathan Wakes, you will be hooked as well.

Title: Leviathan Wakes.
Author: James S.A. Corey.
Length: 592 pages.
Publisher: Orbit.
Published: June 15, 2011.

OVERALL GRADE: A (4.0/4.0).

PLOT: A-.
IMAGERY: A.
IMPACT: A+.
WRITING: A.

Sabtu, 01 Oktober 2011

2 Weeks Until Season 2 Of Walking Dead!



This show was my guilty pleasure last spring when I discovered it, in repeats on AMC. I watched the entire first season in about a week. Hopefully, the second season which starts Sunday October 16th will be just as good.

Rabu, 28 September 2011

Lost Producers Confess They Made It All Up Ad Hoc

Damon Lindelof (left) and Carlton Cuse were the showrunners on Lost
As you may recall, I was a huge fan of the television series Lost and was verklempt when it went off the air Sunday May 23, 2010.

The story was so complex that there was always a suspicion about whether the writers and producers really knew what they wanted to do all the time and was the intricacy intended genius or unintended confusion.

One of the main executive producers, Damon Lindelof, now admits it was more of the latter:

"The biggest issue with a desert island show was the audience is going to get very frustrated that the characters were not getting off the island," he said. "My solution was, hey, let's get off the island every week. And the way we're going to do that is we're going to do these flashbacks. We'll do one character at a time and there's going to be like 70 characters on the show, so we'll go really, really slow, and each one will basically say, here's who they were before the crash and it'll dramatize something that's happening on the island and it will also make the show very character-centric."
Abrams liked the idea, and also had another: "'There should be a hatch on this island! They spend the entire season trying to get it open. And there should be these other people on the island,'" Lindelof recalled Abrams saying. "And I'm like, ''We can call them The Others.' And he's like, 'They should hear this noise out there in the jungle.' And I'm like, 'What's the noise?' And he's like, 'I don't...know. They're never going to pick this thing up anyway.'"
Lindelof said the idea to tell the story out of chronological order came in part from "Pulp Fiction," in which John Travolta's character is killed about halfway through -- and viewers learn only at the end that he had failed to heed Samuel Jackson's speech in the diner about the path of the righteous man.
"That sort of flipped the switch in me, and was something that I really wanted to do as a storyteller and 'Lost' was really the perfect opportunity to do it," Lindelof said.
The most amusing revelation is that Lindelof really just wanted to get a job on J.J. Abrams' hit show Alias (which I also loved) which is why he originally met with Abrams and then was offered his new show while Abrams went off to direct movies like Star Trek  and Mission Impossible 3.

Minggu, 18 September 2011

2011 Emmy Awards: The Winners


Tonight was a big day in Hollywood as the Emmy Awards for excellence in television were announced.
I had previously blogged about the nominations and made my choices known.

Here is the full list of winners of the 2011 Emmy Awards:

 Outstanding Drama Series: "Mad Men," AMC.
- Outstanding Lead Actress, Drama Series: Julianna Margulies, "The Good Wife," CBS.
- Outstanding Lead Actor, Drama Series: Kyle Chandler, "Friday Night Lights," DirecTV/NBC.
- Outstanding Supporting Actor, Drama Series: Peter Dinklage, "Game of Thrones," HBO.
- Outstanding Supporting Actress, Drama Series: Margo Martindale, "Justified," FX.
- Outstanding Writing, Drama Series: Jason Katims, "Friday Night Lights," NBC.
- Outstanding Directing, Drama Series: Martin Scorsese, "Boardwalk Empire," HBO.
- Outstanding Comedy Series: "Modern Family," ABC.
- Outstanding Actor, Comedy Series: Jim Parsons, "The Big Bang Theory," CBS.
- Outstanding Actress, Comedy Series: Melissa McCarthy, "Mike & Molly," CBS.
- Outstanding Supporting Actress, Comedy Series: Julie Bowen, "Modern Family," ABC.
- Outstanding Supporting Actor, Comedy Series: Ty Burrell, "Modern Family," ABC.
- Outstanding Writing, Comedy Series: Steven Levitan and Jeffrey Richman, "Modern Family," ABC.
- Outstanding Directing, Comedy Series: Michael Spiller, "Modern Family," ABC.
- Outstanding Miniseries or Movie: "Downton Abbey (Masterpiece)," PBS.
- Outstanding Actress, Miniseries or Movie: Kate Winslet, "Mildred Pierce," HBO.
- Outstanding Actor, Miniseries or Movie: Barry Pepper, "The Kennedys," ReelzChannel.
- Outstanding Supporting Actress, Miniseries or Movie: Maggie Smith, "Downton Abbey (Masterpiece)," PBS.
- Outstanding Supporting Actor, Miniseries or Movie: Guy Pearce, "Mildred Pierce," HBO.
- Outstanding Directing, Miniseries, Movie or Dramatic Special: Brian Percival, "Downton Abbey (Masterpiece)," PBS.
- Outstanding Writing, Miniseries, Movie or Dramatic Special: Julian Fellowes, "Downton Abbey (Masterpiece)," PBS.
- Outstanding Reality-Competition Program: "The Amazing Race," CBS.
- Outstanding Variety, Music or Comedy Series: "The Daily Show With Jon Stewart," Comedy Central.
- Outstanding Directing, Variety, Music or Comedy Series: Don Roy King, "Saturday Night Live," NBC.
- Outstanding Writing, Variety, Music or Comedy Series: "The Daily Show With Jon Stewart," Comedy Central.
The highlights for me are the husband and wife from Modern Family (Ty Burrel and Julie Bowen) winning Best Supporting Actor and Actress. The Supporting Actor in a Comedy Series category was all four male leads from Modern Family  and Chris Colfer from Glee! Also, I'm very psyched that Peter Dinklage won for his portrayal of Tyrion Lannister in Game of Thrones, a role that could physically not be played by anyone else and is an amazing piece of writing by George R.R. Martin. I'm also glad that two other shows I just started watching, The Good Wife and the The Big Bang Theory had their lead actors, Jim Parsons (second consecutive year) and Julianna Margulies recognized for their excellent work.

I do not understand the obsession with Mad Men; to me it just looks some kind of Republican fantasy of life in the 1950s before all that damned "progress" of the 1960s (civil  rights for Blacks, equal rights for women and the gay rights movement) happened and "the good old days" were rocking. It's some kind of sick nostalgia fantasy for conservatives. The show has won 4 years in a row, every year it has been in existence. Even worse s The Amazing Race which has now won every Best Reality Series Emmy award ever, even though Survivor was first (and is still better).

Last but not least, congrats to Dame Maggie Smith. You, go, girl!!

Minggu, 28 Agustus 2011

2011 Hugo Winners Announced!

The 2011 Hugo Awards were announced last weekend at the World Science Fiction Convention in Reno, Nevada. Two of my favorites, Christopher Nolan's Inception and Commie Willis' Blackout/All-Clear won the major prizes of Best Dramatic Presentation Long Form and Best Novel, respectively. Willis becomes the second female author to win the prestigious Nebula/Hugo double for the same book twice. She won the Nebula award for Blackout/All-Clear earlier this year and had previously won the double for an earlier book in the series, Doomsday Book, one of my favorite books of all time. The only other authors to win the Hugo/Nebula double for the same book twice are Joe Haldeman (The Forever War, Forever Peace), Ursula K. LeGuin (The Left Hand of Darkness, The Dispossessed), and the now-odious Orson Scott Card (Ender's Game, Speaker for the Dead).

Here's the full list and here's the list of the winners in the most important categories::

BEST NOVEL
Blackout/All Clear by Connie Willis (Ballantine Spectra)
BEST NOVELLA
The Lifecycle of Software Objects by Ted Chiang (Subterranean)
BEST NOVELETTE
“The Emperor of Mars” by Allen M. Steele (Asimov’s, June 2010)
BEST SHORT STORY
“For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010)
BEST RELATED WORK
Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It, edited by Lynne M. Thomas and Tara O’Shea (Mad Norwegian)
BEST GRAPHIC STORY
Girl Genius, Volume 10: Agatha Heterodyne and the Guardian Muse,
written by Phil and Kaja Foglio; art by Phil Foglio; colors by
Cheyenne Wright (Airship Entertainment)
BEST DRAMATIC PRESENTATION, LONG FORM
Inception, written and directed by Christopher Nolan (Warner)
BEST DRAMATIC PRESENTATION, SHORT FORM
Doctor Who: “The Pandorica Opens/The Big Bang,” written by Steven
Moffat; directed by Toby Haynes (BBC Wales)
What's nice about the Hugos is that they also release the detailed breakdown of the preference voting results every year as well. It would be incredibly awesome if other awards (Oscars, Emmys, are you listening?) did that as well.

Also, notice that the titles of the winners of Best Novella, Novelette and Best Short Story are hyperlinks. By clicking on the links you can see these award-winning pieces of speculative fiction for free. Enjoy!